BAHASA RUPA MOTIF BATIK CIAMIS MELALUI PROGRAM LINDENMAYER SYSTEMS
Keywords:Lindenmayer system, Batik Ciamis, digitalization
West Java has a centre for craftsmen who have a variety of motifs drawn from their regional potential. One of them is Ciamis batik, but now with the pandemic of the Corona 19 virus, it has had a tremendous impact on the macro and micro industrial economy in the development of the batik business. More and more are stopping their business. So it is feared that Ciamis batik motifs are increasingly rare in the market. Through Turtle graphics, existing batik motifs are made in the form of vector images to be preserved by utilizing digital technology. This research has the aim to that the Ciamis batik motif can be made into a visual language through the digitalization process using the MuPAD programming language. The benefit is to document and reintroduce Ciamis Batik motifs that are almost extinct. The method used is a digitalization experiment through the Lindenmayer System. Ciamis batik samples selected motifs that have repetition in the form of a repeating pattern. Based on the research, the Ciamis batik motif can be made using the technique of arches, horizontal lines, vertical lines, and rotation. The conclusion of this research is that batik motif design can use the Lindenmayer System program as a blueprint and can be implemented on Indonesian batik. This research contributes to the efficient documentation of batik motifs in digital form with good quality so that they can be implemented in the creative industry.
P. Supriono, “Ensiklopedia The Heritage of Batik: Identitas Pemersatu Kebanggaan Bangsa,” Yogyakarta ANDI, p. 312, 2016.
L. Herlinawati, “Batik Ciamisan di Imbanagara Kabupaten Ciamis (Sebuah Kajian Nilai Budaya),” Patanjala J. Penelit. Sej. dan Budaya, vol. 4, no. 3, p. 446, 2012, doi: 10.30959/patanjala.v4i3.158.
Cahbagoes, “Sejarah Motif Batik Ciamis dan Penjelasannya,” 2016. https://batik-tulis.com/blog/batik-ciamis/ (accessed Mar. 31, 2021).
Cahbagoes, “Sejarah Motif Batik Tasikmalaya dan Penjelasannya,” Website, 2017. https://batik-tulis.com/blog/batik- tasikmalaya/.
H. Ishwara, L. R. S. Yahya, and X. Moeis, “Batik Pesisir Pusaka Indonesia,” vol. 2, pp. 199–203, 2017.
K. T. Kahdar Chandra; Ratuannisa, Tyar, “Colour Mapping of Natural Dyes in Batik Pesisiran of Batik Batang From Batang Regency,” J. Sosioteknologi, no. Vol 17, No 1 (2018), pp. 132–143, 2018.
Y. Y. Sunarya and A. Sachari, “The Sundanese Aesthetic Concept and Identity in the Ornament of West Java Batik,” Int. J. Res. Soc. Sci., vol. 4, no. 5, pp. 71–76, 2014, [Online]. Available: http://ijsk.org/uploads/3/1/1/7/3117743/8_west_java_batik-crafts.pdf.
TREDA, “Indonesian Batik: A Cultural Beauty,” Minist. Trade Repub. Indones., p. 60, 2008.
Herdiana, U. Runalan Soedarmo, and Y. Kusmayadi, “Motif Ragam Hias dan Nilai-nilai Filosofis Batik Ciamis,” Artefak, vol. 7, no. 1, pp. 53–62, 2020.
Sugiyamin, “Pemaknaan motif batik sebagai bentuk bahasa rupa dan pembelajarannya,” wacana Akad., vol. II, no. 5, pp. 73–86, 2004.
P. Tabrani, Bahasa Rupa, 2nd ed. 2012.
Ratnadewi, A. Prijono, and A. Pandanwangi, “Application of turtle graphics to Kawung Batik in Indonesia,” Int. J. Innov. Creat. Chang., vol. 13, no. 2, pp. 643–658, 2020.
R. Ratnadewi, A. Pandanwangi, and A. Prijono, “Implementation of Art and Technology in Batik Purwakarta,” vol. 4, no. 1, pp. 64–75, 2020.
K. D. Purnomo, D. Hadi, and P. Putri, “Inovasi desain batik fraktal menggunakan geometri fraktal,” 2020, vol. 3, pp. 131–140.
F. Farida and R. R. Muhima, “Image Retrieval Batik Klasik Parang Rusak Menggunakan Ekstraksi Fitur Geometric Invariant Moment, Sobel Dan K-NN,” Netw. Eng. Res. Oper., vol. 4, no. 1, pp. 15–21, 2018, doi: 10.21107/nero.v4i1.107.
A. Lindenmayer, The algorithmic beauty of plants. New York: Springer-Verlag, 2004.
M. Majewski, Getting started with MuPAD. 2005.
R. Ratnadewi, A. Pandanwangi, and A. Prijono, “Program Motif Batik Cupat Manggu Ciamis Dengan Turtle Graphics,” EC00202144175, 2021.
R. Ratnadewi, A. Pandanwangi, and A. Prijono, “Program Motif Batik Teratai Ciamis Dengan Turtle Graphics,” EC00202144176, 2021.
R. Ratnadewi, A. Pandanwangi, and A. Prijono, “Program Motif Batik Sulur Anggrek Ciamis Dengan Turtle Graphics,” EC00202144162, 2021.
Fitinline, “Batik Ciamis,” 2013. https://gpswisataindonesia.wordpress.com/2013/11/21/batik-ciamis/ diakses (accessed Mar. 31, 2020).
R. Ratnadewi, A. Pandanwangi, and A. Prijono, “Implementation of Art and Technology in Batik Purwakarta,” J. Teor. dan Apl. Mat., vol. 4, no. 1, p. 64, 2020, doi: 10.31764/jtam.v4i1.1872.
How to Cite
Copyright (c) 2021 Ratnadewi Ratnadewi, Ariesa Pandanwangi, Agus Prijono
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The author's copyright in the Bahasa Rupa Journal, assigns that the publication of published articles is owned by the editorial board with the author's approval, but the rights are still with the author. The legal rules for accessing digital electronic articles are under license Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0), which means that the Bahasa Rupa Journal has the right to store, modify, manage databases, maintain and publish articles without the author's permission, but the author as the copyright holder is still written as it is. Articles published in Bahasa Rupa Journals, both in hard and soft copy forms are available as open access, for educational, research and library purposes, and beyond that purpose, the editorial board of the Language and Language Journal is not responsible for illegal copyright infringement. This journal also applies LOCKSS and CLOKSS archiving.